So once again, I have failed to set out what I had planned.

I caught a chest cold a few days after my previous post and it lasted the week. Then, Easter holidays.
Then the reality of my upcoming show suddenly hit me and all my commenced work needed to become completed works.

So that’s what I’ve been doing.

Although, the investigations and art making relating to my previous post have been in my head. They aren’t ready to go away.

In the last few weeks I’ve been spending much time in my studio painting works for a group show in Adelaide at Art Images Gallery. Colour Field.

Colour!

We were given a direction. I ignored it and have continued to investigate with the ideas of memory and time. Using colour as my trigger.

Writing is consuming my time. So I’ll just post photos for now with a few words to guide anyone out there reading.

EXHIBITION DETAILS: Opening April 20th    Art Images Gallery Adelaide, South Australia.

Sunset on Gum 1  |  Sunset on Gum 2 |  Sunset on Gum 3 |  Sunset on Gum 4  | mixed media on paper |
28.5cm x 38.5cm

Above: Honey on Spotted Gum  |  Mixed media on paper with stitching | 49.5cm x 133cm |

It’s a long thin work this one and difficult to photograph. Each panel has been developed using various techniques such as engraving, stitching and painting. Response to childhood memories of walking in Victorian bushland learning about eucalyptus trees.

Above: Angel’s Trumpets  | Mixed media on canvas |  1.5m x 1m

Response: Walking around Wendy Whiteley’s Secret Garden in Lavender

Above: Bloom of Colours | Mixed media on canvas |  1.5m x 1m

Response: Brisbane Botanical Garden Walk during summer

Above: River’s Edge  | Mixed Media on Paper with stitching  | 49.5cm x 142cm

It’s a long thin work this one and difficult to photograph. Each panel has been developed using various techniques such as engraving, stitching and painting. Response: Colours of my backyard, over the water, through the trees and into the river’s edge

 

 

Duration: Monday 19th March 2018.

       Above: Fallen palm frond

                                      Brown: Ink. Acrylic

Carve: Hand and Electrical tools on cartridge paper

I’ve just returned from a workshop in Sydney with Ruth Hadlow. Ruth is an educator, a writer and an artist who facilitates masterclass workshops for artists with a focus on process based art making, reading and writing investigations. (more information can be found by searching the net; Ruth’s current website requires the Flash plug in which can be restrictive for some users)

It’s a workshop about:

Ideas;
challenging thought processes;
recognising models and systems;
analysing art and writings;
critical discussion;
investigating concepts without determined outcome.

Instagram has lead me to many destinations, not just physical places, but to people and ideas. Suggested by a fellow artist I follow, the workshop has certainly given me much to think about in my own practice.

For some time I have felt the frustrations of value within my work and how art can often be seen as only to have aesthetic value. I’ve been making, making, making and at times selling, selling, selling. But neither of these things fulfil my intellect or reasoning behind why I create. I feel like I’m pretending to be something, not in my aesthetic, but in my abilty to focus on why I am an artist.

And to honour one of the many techniques discussed in Ruth’s workshop, I don’t want to write anymore about where this is going to take me. I’m just going to take the time to investigate.

I’m starting with the destruction of a recently written proposal I submitted.

I am going to read more often…insightful writings, by artists. I’m adding more poetry and philosophy to my investigation.

And the making will come in the form of chance. I’ll develop a process of ideas based on a set of words. Words that have been written by me, placed into categories and then randomly selected by someone else.

It will be a focus on journallng, erasing concerns of finality in a commercial sense. Just be in the moment and see what comes. The categories are:

PLACE        SUBJECT           ACTION            DURATION

My first set of words were randomly chosen by my daughter:

Stay tuned…

Artist Robert Kushner came to my attention whilst visiting Kyoto in 2017. I wanted to visit the Hakusasonso Hashimoto Kansetsu Garden not realising that there was also an excellent art museum on the grounds. Although the exhibition, Tenderness and Thorns was in 2015, I was able to purchase a catalogue of his works and have since then been researching his methodologies and resonating with his aesthetic.

Considered to be a decorative artist, his subject matter is a fine balance between geometrical shapes and the celebration of the botanical form. He has a love or ornamentation, textile and Japanese symbolism. He questions the concepts of pattern and decoration in contemporary fine arts as it is often seen by many critics as too much of a craft that is often made by women and not men. Photos are from my trip to the garden and from Robert Kushner’s website.

Title of works:

Top:  MIDNIGHT IN THE HUNTINGTON LIBRARY CACTUS GARDEN, 2014.

Bottom: Huntington Library Cactus Garden II, 2014

 

How do you define success in your life? Is it commercial recognition? Is it just getting through your day? Is it proving to other people in your life that you can do something? Is it just being happy with attempting a goal? Google ‘Success Quotes’ and you’ll probably find something that you can relate to.

Time is not on my side as I write this post. I have to go to the bank, then the doctor, then think about dinner, buy some groceries because we have family arriving tonight. Oh and then if I am feeling energetic this afternoon after I have done all that (because my day starts at 5.50am), and before the kids get home..that’s right they will need healthy food options in the house to eat…I might get to have some studio time where I can be creative and prove to myself and to others that being an artist is not just a hobby, but an actual job that I could be successful at? Now I hear all my friends (and my mum) saying, ‘But you are! Look at what you have managed to do in the last 10 years.’

But am I? And by the way, I am not trying to be a martyr when I say all this stuff…

I’m trying to work out what it is I want to do. Where do I fit into this world? What pathway do I need to map out to feel satisfied in my artistic endeavours.

I recently wrote some words down that have been playing in my head and posted it onto my Instagram page. @tiel_seivl_keevers Honestly there are a lot of cans I want to open with this post. Lots of different conversations that I need to have. Not just about success, but also about online behaviours; this overwhelming sense that we are all just feeding off each others’ ideas and images; the frustrations of what the art world is becoming and how much value we put onto art. His work is so like her work….She creates some amazing things, but that last post was so identical to his work….. Do you hear these words?

I feel a very strong need to remove myself from certain arenas at the moment in order to work out some of these questions and to not feel that people’s judgements on what I do, how I live, should define who I am.

Anyway….I have to go…the bank awaits.

January was for a month for clearing the decks. Domestic clutter was suffocating my creative head.

It’s always been a month too for just being with the kids whilst they are on holidays. I allow myself a few hours here and there to be in the studio or to be doing something creative near them, but honestly as they grow into tiny adults they aren’t so interested in my being near them.

So now, it is February and like every year it hits me hard with the reality of what am I going to do this year?

I always start my year with involving myself in a course, and this year I have two lined up. One online and the other interstate. I cannot wait.

I have also decided to make this month a time for working out in my head what I want my work to be.
(more on that in the next post above).

In the meantime I am getting down to my old artistic roots and discovering that I just need to make marks. Hopefully in a few weeks I will have a studio full of chaos and mess that will be the perfect ingredients to a new body of work.

Today it is all about playing with shadows.

Marks on the computer. Exploring line and colour. And pattern.


Midori is the Japanese Word for Green.
Last year in Japan I was drawn to the all the greens before the Autumn colours took hold of the landscape. Especially the gardens of Sanzenin Temple in Ohara just north of Kyoto where we walked amongst the moss garden on a crisp afternoon.

Painting available for sale. 40cm x 40cm |. Mixed Media on Wood

Perhaps my printmaking past has always encouraged my interest in the Artist Book. I just love working on paper. Whether it be pulling a print, painting directly onto the surface or drilling into the fibres, the feel of cotton printing papers will always drive me to make art.

So I created some concertina books, and then I decided (for some crazy reason, perhaps to hang them freely) that I’d work both sides of the paper. A front and a back.

Now I want to frame them…and that will be a task. That will have to wait until later in the year. For now they will just sit as they are. Here is one of my Unravelled Terrains…