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Ceramic news

Over the last few years, I have dabbled with ceramics. Finally I am committing some time to experiment more with the medium.

At the end of 2020, I was commissioned to produce works for a new apartment here in Brisbane. TheTreehouse by Aria now houses several bespoke pieces including 24 individual hand cut wooden paintings.

above:on the studio wall before installation || below: installed at The Treehouse Apartments, Brisbane.

 

These shaped pieces were an extension of some works I did a few years back on paper that I stitched onto a backing and from here I started to roll out earthenware to develop the process further. A gallery owner once told me that orange shaped 2D art doesn’t sell. I chose not to show my work with her anymore.

So, each week I attend a local ceramic class with Helen Davey who’s knowledge and skills make for a somewhat addictive addition to my art processes.

My intention at this stage is to focus on the surface more so than the form. Like many painters who work in this media, ceramics is just another surface to work on. As with painting, my work can appear differently on paper than canvas. The limitations of media and tools dictate the outcomes and styles of my work. That said, beyond making wall pieces from earthenware, I have been hand building, and the three dimensionality of a form is also grabbing my intention. I’m quite intrigued that marks on a  vessel can be rotated to tell a story. So watch this space… this year is really about learning. If I sell a few pieces to cover my tuition and expenses, then I am happy.

I am limiting the amount of ceramics for sale each month for now. So if you would like to be added to the ceramic mailing list please do so here. I will email a day before announcing the work is available to the public. In addition to this,  I will not be selling these works via an agent or retailer. You will only be able to purchase these via my website or in an exhibition. I want to keep this small and enjoyable rather than  the main focus of my art practice.

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